
Sometimes with photography the intrigue of the image is within the photographer and their own intimate understanding of the person, place or thing. The photographer's memory of that experience is captured in the picture engulfing their recollection of time and space however can lack in the viewers perception of something to marvel at. I felt that the show "lacked". Be it emotion, or personal connection to the entirety of the pieces, I was bored. I did spend quite a bit of time making a deep connection to the people and their environments in Ryan
Adrick's photographs, then he spoke at the artist lecture and killed it. Instead of an innovative philosophy and reason behind each photo he gave a vague connection and confusing map of social dialogue he experienced that made him think "oh that's cool". No disrespect; To each their own.
As far as the shows collectivity, not my cup of tea, however I did feel a creative and metaphorical attachment to Tracy Longley-Cook's work Fruit Tree. Highlights, shading, and perplexed subject matter compose a dynamic mood. The focus is particular and careful guiding the eye through the balance of light and dark areas, allowing the grass to twinkle with soft texture and leaving the viewer visually stimulated.
When first looking at this photograph I immediately thought of a woman and childbearing. Fruit Tree literally meaning the fruit of life, and rather than depicting childbirth in a light manner, representing it as a physical sacrifice. I really appreciate the way it was printed, as stating earlier through the compositional properties, the mood is dark and the figure itself is morphed and blurred into a deceiving object. I was uncertain in what Tracy Longley-Cook was truly trying to project. At the artist lecture she surprisingly explained it as a representation of suicide. The rope, which I had altogether looked over in the gallery, lays behind the figure representing suicide through hanging. I also wrote earlier of an attachment I felt towards this piece, and personally I have wanted to find an expressive way to portray the experience of suicide for a few years now. Fruit Tree is a compelling dark piece that intuitively captured me.